Filter & Modulation
![]() NEW Hartman Analog Flanger Pedal AUTH DLR W FREE GIFT US $229.00
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![]() Boss Tu 2 Chromatic Tuner guitar pedal US $55.00
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![]() Boss NS 2 Noise Gates Guitar Effect Pedal US $31.00
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![]() Line 6 FM4 Multi Effects Guitar Effect Pedal US $105.00
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![]() BOSS FT 2 DYNAMIC FILTER PEDAL USED VINTAGE AUTOWAH MIJ US $80.00
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![]() Diamond Tremolo feature filled Tap Tempo Tremolo US $239.00
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![]() Diamond Vibrato Amazingly versatile vibrato chorus US $269.00
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![]() EWS FUZZY DRIVE powerful fuzz distortion overdrive US $119.00
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![]() EarthQuaker Devices Hummingbird ll Repeat Percussions US $145.00
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![]() Lightfoot Labs Goatkeeper 3 GK3 Super tweakable trem US $340.00
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![]() Demeter TRM 2s Stereo Tremulator Stereo Pan or trem US $309.00
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![]() Sioux Guitars Flood Of 53 Flanger Vintage sounds US $115.00
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![]() SNAZZY FX Tracer city amazing multi use filter US $499.00
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![]() Catalinbread Pareidolia Harmonic Mesmerizer US $179.95
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![]() Subdecay Proteus Auto Filter Sample filter hold US $189.00
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![]() MOOG MOOGERFOOGER MF 107 FREQBOX GUITAR EFFECTS PEDAL US $296.00
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![]() Gig FX Mega Wah Auto Envelope Filter Volume Pedal US $79.99
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![]() Dunlop Uni Vibe w adapter stereo cable ft control US $149.97
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![]() NEW Electro Harmonix Wiggler Tube Vibrato Tremolo US $179.00
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![]() MOOG Moogerfooger MF 101 LowPass Filter Guitar Pedal US $230.00
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![]() Danelectro Chili Dog Octave Guitar Effects Pedal US $10.00
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![]() Envelope Filter effects pedal Digitech Synth Wah NEW US $39.00
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![]() Digitech Synth Wah Wah Guitar Effect Pedal US $60.00
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![]() Vintage MXR 6 Band Graphic EQ M 109 US $22.94
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![]() Roger Mayer Voodoo Vibe Plus great vibe pedal US $255.00
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![]() Electro Harmonix Bassballs Bass Guitar Effect Pedal US $45.00
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![]() NEW Elite Tone Fillmore Thunder Effects Pedal W GIFT US $177.00
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![]() DOD FX 25B Envelope Filter Auto Wha US $40.00
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![]() NEW MOOG MF 105 MuRF FILTER EFFECTS PEDAL 2257] US $419.00
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![]() New Eventide TimeFactor Delay Effects Pedal Stompbox US $398.95
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![]() Boss RT 20 Rotary Ensemble Leslie speaker simulator US $102.50
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![]() NEW Fulltone Supa Trem SupaTrem Tremolo Pedal US $186.15
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![]() BEHRINGER ULTRA OCTAVER UO300 NO RESERVE FREE SHIPPING US $29.99
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![]() Line 6 FM4 Guitar Filter Modeler Effect Pedal US $102.50
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![]() Source Audio Soundblox Tri Mod Wah Crazy Versatile NR US $50.00
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![]() Boss TR 2 Tremolo Mint Condition with original box US $89.00
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![]() TC Electronic G Major 2 GMAJOR FREE Overdrive Pedal US $499.00
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![]() Demter Tremulator Tremelo Pedal Excellent NO RESERVE US $.01
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![]() BOSS OC2 OC 2 OCTAVE EFFECTS PEDAL US $39.99
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![]() Vintage DOD FX 40 Guitar Pedal With Box US $24.99
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![]() BOSS FT 2 filter wah eq pq MIJ US $49.99
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![]() Danelectro Chicken Salad Vibrato Guitar Effect Pedal US $.99
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| Cheap Guitar Accessories |
How To Enjoy Playing Music In A Makeshift Jam Band
Have you ever play or sing with a jam band? A jam band is a makeshift band and the musicians probably played together for the first time unrehearsed either in an impromptu performance or in a Jam music bar. Jam bands usually play jazz or blues both these genre of music have fixed music chord progressions and free form personal interpretation can be weaved into the chord sequence.
Since most jam bands play to a small audience, there is usually no sound technician to balance the sound produced by the bands and thus the musicians have to be 'sound sensitive' and able to detect unbalanced sounds and adjust their volumes and timbre themselves.
So how to play good and balanced music when you play with a jam band? Here are some pointers.
a) Listen to the lead singer
If you cannot hear the singer's voice and the lyrics, then the musicians should turn down the volume of their instruments immediately so that the singer can be heard clearly by the audience. If a fellow musician is unaware, do not be afraid to remind him to play softer. Even if the singer is too soft and shy, it is always the duty of all musicians to play softer so that the singer can be heard.
b) Be attentive to the song
Certain parts of a song are sung softly and sweetly,perhaps the introduction, or the first verse, or at the emotional part. The singer will usually take the lead. If these parts of the song are supposed to be quieter, then play softly. If the chorus is more energetic, then play louder during the chorus. But once the next verse arrives, we tone down for the softer verse.
Whenever we have such alternating dynamics of loud and soft, the listener will be captivated, moved and thus sing with more emotions and feelings. There will thus be 'expression' in the music, as opposed to having just one full volume all the way. If you listen and pay attention to the whole performance, you will automatically know when to go softer and when to let down your hair and rock away.
c) Bass player should listen to the volume of the kick drum
There is always a tendency for bassist to play too loud. The volume of the bass guitar should be at the same volume as the kick drum. If you cannot hear the kick drum, then bring down the volume of the bass.
d) Pianist must take the lead role in controlling musical dynamics
The pianist should listen attentively to the singer and know what kind of style and emotion the singer wants to portray in the songs. When the pianist softens, then the drummer, guitarist and bassist should follow suit. When the pianist starts to crescendo, then the rest of the band can rock and roll along.
e) Singer should feel free to guide the band and tell them to play softer, louder, faster or slower. The musicians must remember that your main job is to back the singer, to help make the singer sound good. So please oblige the singer while on stage and let him have it his way. Do not oppose the singer no matter how bad he or she is. If a musician wants to take the limelight and be a star, then wait for your turn to do your solo.
f) Listen to the soloist
If a soloist is playing, all other instruments should not be louder such that the soloist is drowned. When the soloist is soloing, do not compete with him by playing all sorts of fancy stuff on your instrument that is totally unrelated to his solo. Just play some back up chords will do.
g) Give everyone a chance to solo
One of the reasons why many musicians do not play dynamically in a jam band is because they are eager to show off and be heard. We as musicians all want to be heard and noticed, so there is a tendency for us to make sure that we are loud so that the whole world can hear us. I believe one reason is because the musicians are not given ample opportunity to solo and be a star of the moment.
Perhaps this is the reason why jazz musicians seldom have problems with dynamics. Jazz musicians always seem to know when to play soft, when to play simple, when to play harder etc. This is because they have already been given ample opportunity showcase their talents during their solos so there is no more need to fight to be heard and noticed.
Keep these pointers in mind when you play or sing with a jam band the next time and have a rollicking good time.
Mellowtone MEEP 2 Tri-Mode Filter
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Behringer Behringer X V-Amp Guitar Multi Effects Pedal Standard $61.59 Models of coveted guitar amps, cabs, and effects. Realtime expression-wah/volume pedal. 24-bit stereo multi-effects processor. 4 models of each chorus, flanger, phaser, tremolo, rotary speaker, and pitch bend effect. Compressor. Noise gate. EQ. Modulation effects. Delay. Reverb. Effects can be used simultaneously in any combination. One 1/4" in, 2 - 1/4" TRS outs. Power supply included. |
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Behringer Behringer X V-Amp Guitar Multi Effects Pedal 889406303515 $55.99 Models of coveted guitar amps, cabs, and effects. Realtime expression-wah/volume pedal. 24-bit stereo multi-effects processor. 4 models of each chorus, flanger, phaser, tremolo, rotary speaker, and pitch bend effect. Compressor. Noise gate. EQ. Modulation effects. Delay. Reverb. Effects can be used simultaneously in any combination. One 1/4" in, 2 - 1/4" TRS outs. Power supply included. |
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Behringer V-Amp 3 Guitar Multi Effect Processor Standard $129.99 Next-Generation virtual guitar amplifier with USB audio interface and energyXT2.5 recording software. |
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DigiTech BP80 Bass Multi-Effect Pedal Standard $69.86 AudioDNA DSP super chip. Amp modeling. Built-in expression pedal. 11 award-winning amp models. 20 effects include compression, cab modeling, 3-band EQ, noise gate, auto swell, chorus flanger, phaser, vibrato, octavider, envelope filter, detuner, pitch shifter, 3 delays, and 6 reverbs. 9 simultaneous effects. Wah, volume, and whammy via optional expression pedal. 5 stompbox models. Built-in drum machine with 30 patterns and variable tempo. 24-bit A/D/A converters. Easy-to-read display. 40 factory/40 user presets. Stereo output doubles as a headphone jack. |
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Modulation Doped Field Effect Transistors $34.34 Buy and sell [Modulation Doped Field Effect Transistors] at great prices. |
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TC Electronic NM-1 Nova Modulator Modulation Guitar Effects Pedal Standard $249 TC Electronic NM-1 Nova Modulator Modulation Guitar Effects Pedal Standard |
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TC Electronic NM-1 Nova Modulator Modulation Guitar Effects Pedal 889406852358 $104.58 TC Electronic NM-1 Nova Modulator Modulation Guitar Effects Pedal 889406852358 |
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Toneworks AX10G Guitar Modeling Effect Processor Standard $149 11 accurately crafted amp models generated by Korg's REMS technology. 26 carefully selected effects delivering a wide range of tonal variation. 40 preset programs covering all musical styles, plus 40 user locations for edited presets. Expression pedal for realtime control. Knob-based interface for intuitive control, and a simple panel layout. Tap switch for on-the-fly setting of delay time. AMP/LINE select switch for connection to amp, mixer, recorder, or any other destination. Built-in Korg Chromatic Auto Tuner with mute function. Compact, portable design that fits into the pocket of your gig bag. Program Lock/Hold function eliminates accidental knob turns during onstage use. 2-way power supply: runs on battery or AC adapter (optional). |
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Markbass MoMark 800W Digital Bass Amp/Frame Standard $729.99 Two high-quality Neutrik speakon combo outputs jacks, designed to accept speakon or 1/4" speaker cables. Balanced XLR line out for connecting the amplifier directly to a mixing console instead of through a DI box. Pre/post EQ switch that allows you to choose whether the signal sent to the mixer is affected by the amplifier's EQ and filter settings or not. A ground lift switch allows you to eliminate hum if and when you have grounding problems from your power source. A tuner out lets you send the signal to a tuner, another amp, or any kind of recording unit that doesn't require a balanced signal. The effect loop send/return lets you connect effect pedals or rack gear—this is wired in parallel. |
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Markbass MoMark 600 Digital Bass Amp/Frame Standard $649.99 Two high-quality Neutrik speakon combo outputs jacks, designed to accept speakon or 1/4" speaker cables. Balanced XLR line out for connecting the amplifier directly to a mixing console instead of through a DI box. Pre/post EQ switch that allows you to choose whether the signal sent to the mixer is affected by the amplifier's EQ and filter settings or not. A ground lift switch allows you to eliminate hum if and when you have grounding problems from your power source. A tuner out lets you send the signal to a tuner, another amp, or any kind of recording unit that doesn't require a balanced signal. The effect loop send/return lets you connect effect pedals or rack gear—this is wired in parallel. |
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Fulltone OF Guitar Effect Octafuzz Standard $149.99 Fulltone OF Guitar Effect Octafuzz Standard |
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Behringer Behringer V-Amp Pro Guitar Multi Effects Processor Standard $169.99 100 MIPS DSP for amazing subtlety of tone. 32 classic and modern amp styles. 15 cab simulations. 16 editable high-end stereo effects including noise gate, compressor, wah-wah, modulation effects, delay, and reverb. 125 memory locations divided into 25 banks of 5 presets each. 15 rear-panel connections allow comprehensive routing and suit virtually every conceivable application. Additional unparalleled authentic cabinet simulation with sound design by Juergen Rath. Stereo headphone output with adjustable volume. Adjustable chromatic tuner. Internal power supply. MIDI implementation. Adjustable aux stereo. Intuitive interface with lighted dials. Editable with SoundDiver. Rackmountable. |
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Markbass Little Mark III 500W Bass Amp Head Standard $527.99 Inputs. Input impedance: 500kOhm, maximum voltage 15Vpp. Balanced Input (XLR) impedance: 100kOhm, maximum voltage 25Vpp. Effect Return Impedance: 33kOhm, maximum voltage 10Vpp. Controls:. Gain: -60dB–+23 dB range. Master Volume. Line Out Level. Ground Lift switch on rear panel. Pre/Post EQ switch on rear panel. Equalization. Low: Center frequency 60Hz, level ±16dB. Low Mid: Center frequency 360Hz, level ±16dB. High Mid: Center frequency 800Hz, level ±16dB. High: 5kHz shelf, level ±16dB. VPF (Variable Pre-shape Filter): Center frequency 380Hz (cut). VLE (Vintage Loudspeaker Emulator): Frequency range 250Hz–20 kHz (cut). Output:. Line Out: Balanced XLR, maximum voltage 20Vpp. Effect Send: Unbalanced, maximum voltage 20Vpp (pre-EQ). Tuner Out: Unbalanced, maximum voltage 2Vpp. Speaker Out: Speakon & 1/4" combo, 1/4". Weight: 6.4 lb. (2.9kg). Dimensions: 10-9/1 |
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Markbass Markacoustic AH250 250W Tube Acoustic Amp Head Black $699.99 INPUTS. Input ch1 unbalanced impedance: 500 KOhm, max. voltage: 10 Vpp. Input ch2 unbalanced impedance: 1 Mohm, max. voltage: 10 Vpp. Balanced impedance: 1 Mohm, max. voltage: 20 Vpp. Insert point impedance: 10 Kohm, max. voltage: 20 Vpp. CONTROLS. Gain CH1 -45 dB to +28 dB range. Gain CH2 -43 dB to +26 dB range. Line out level control on front panel. Phantom power 48V DC (on CH2 Input, pulling out the CH2 GAIN knob). Ground lift switch on rear panel. Effect mix Internal effect only. Phase switch on front panel (0° to 180°). Antifeedback 20 Hz (off ) to 400 Hz range. Master volume. Equalization CH1. Low 40 Hz; level: ±16 dB. Mid 600 Hz; level: ±16 dB. High 6 kHz; level: ±16 dB. Equalization CH2. Low 60 Hz; level: ±16 dB. High 5 kHz; level: ±16 dB. VPF (Variable Pre-shape Filter) center frequency 380 Hz (cut). ONBOARD DIGITAL EFFECTS. Chorus 1. Room. Revb 1. Revb 2. Hall. Chorus 2. Outputs. Insert point unbalanced |
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Markbass Little Mark III 500W Bass Amp Head 889406286764 $252 Inputs. Input impedance: 500kOhm, maximum voltage 15Vpp. Balanced Input (XLR) impedance: 100kOhm, maximum voltage 25Vpp. Effect Return Impedance: 33kOhm, maximum voltage 10Vpp. Controls:. Gain: -60dB–+23 dB range. Master Volume. Line Out Level. Ground Lift switch on rear panel. Pre/Post EQ switch on rear panel. Equalization. Low: Center frequency 60Hz, level ±16dB. Low Mid: Center frequency 360Hz, level ±16dB. High Mid: Center frequency 800Hz, level ±16dB. High: 5kHz shelf, level ±16dB. VPF (Variable Pre-shape Filter): Center frequency 380Hz (cut). VLE (Vintage Loudspeaker Emulator): Frequency range 250Hz–20 kHz (cut). Output:. Line Out: Balanced XLR, maximum voltage 20Vpp. Effect Send: Unbalanced, maximum voltage 20Vpp (pre-EQ). Tuner Out: Unbalanced, maximum voltage 2Vpp. Speaker Out: Speakon & 1/4" combo, 1/4". Weight: 6.4 lb. (2.9kg). Dimensions: 10-9/1 |
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Markbass Little Mark III 500W Bass Amp Head 889406971790 $479.99 Inputs. Input impedance: 500kOhm, maximum voltage 15Vpp. Balanced Input (XLR) impedance: 100kOhm, maximum voltage 25Vpp. Effect Return Impedance: 33kOhm, maximum voltage 10Vpp. Controls:. Gain: -60dB–+23 dB range. Master Volume. Line Out Level. Ground Lift switch on rear panel. Pre/Post EQ switch on rear panel. Equalization. Low: Center frequency 60Hz, level ±16dB. Low Mid: Center frequency 360Hz, level ±16dB. High Mid: Center frequency 800Hz, level ±16dB. High: 5kHz shelf, level ±16dB. VPF (Variable Pre-shape Filter): Center frequency 380Hz (cut). VLE (Vintage Loudspeaker Emulator): Frequency range 250Hz–20 kHz (cut). Output:. Line Out: Balanced XLR, maximum voltage 20Vpp. Effect Send: Unbalanced, maximum voltage 20Vpp (pre-EQ). Tuner Out: Unbalanced, maximum voltage 2Vpp. Speaker Out: Speakon & 1/4" combo, 1/4". Weight: 6.4 lb. (2.9kg). Dimensions: 10-9/1 |

US $229.00



























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